May 2

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“Iron Man”: A modern spin that soars, just like he does!
Release date: 2 May 2008

By Joe DeRosa

“You will believe a man can fly.” That was the legendary tagline from 1978’s “Superman.” Well, it’s been 30 years since those words were immortalized, and in “Iron Man” you will believe a man can fly, shoot rockets from his shoulders and radiate blasts of pure energy from the palms of his hands. And all this is brought to you by the classic red-and-gold armor. With mind-blowing special effects and perfectly cast characters, this Jon Favreau-directed comic-book film adaptation effectively tells the modern tale of a hero who has been a part of the Marvel Universe for over 40 years. Read on, true believers! Read the rest of this entry »

Apr 25

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Deception: No one sees it coming but the viewer
Release date: 25 April 2008

By Jerilyn Covert

“Intimacy without intricacy.” That’s how one character in the film Deception explains The List, an anonymous sex club for wealthy, high-powered New York businesspeople. Unfortunately, the description aptly sums up the movie, as well. Deception is 108 minutes of hard entertainment, but the plot’s as transparent as lingerie. As the title would suggest, the story hangs upon the elaborate lies of conmen. But by now, we moviegoers have seen just about every twist ending imaginable, and we’ve become pretty savvy. It takes a lot to surprise us, and this movie just isn’t all that tricky. The only trick, perhaps, is that the movie promises to trick us. And it–you know–doesn’t.

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Apr 18

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Forgetting Sarah Marshall: Another memorable comedy from JA and co.
Release date: 18 April 2008

By Jerilyn Covert

“Forgetting Sarah Marshall,” the latest addition to the Judd Apatow canon, pretty much follows the same formula responsible for such hits as “Knocked Up” and “40 Year Old Virgin.” Cast a smokin’ hot actress (or, in this case, two smokin’ hot actresses) opposite a cuddly, beta-male lead. Write some no-holds-barred, incredibly raunchy, raw and explicitly sexual dialogue. Throw in a little slapstick. And don’t forget to veer into sincere, relevant and heartwarming territory a la the chic flick. And, unlike so many lesser comedies, you’re left with a solid plotline adorned with unpretentious, often downright low-brow jokes that nonetheless add to the story, rather than become it. Oh, and it’s really funny, too. Read the rest of this entry »

Apr 13

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Smart People: Intellectual dramedy, good. Ellen Page, freaking awesome
Release date: 11 April 2008

By Jerilyn Covert

Sometimes the smartest people have the most to learn. So goes the tagline for the new comedy Smart People. But perhaps we should append “about themselves” to that line. Within the film’s opening sequence, we the viewers learn more about Lawrence Wetherhold than he knows–or, at least, would admit–about himself. Arrogant, stuffy, uptight, insecure, frustrated, contentious, self-involved and, most of all, sad, the curmudgeonly Carnegie Mellon professor is the type of man who wears corduroy blazers and pleated pants, who refuses to devote his precious time to help students after class, much less make an effort to get to know them or remember their names, who’s consumed by his latest book project, which has yet to impress a publisher. Wetherhold, played by a scruffy, pudgy Dennis Quaid, is as ignorant about proper social interaction as he is, apparently, of the fact that a tucked-in shirt does not a protruding belly flatter. Indeed, he may be bright in the world of theory, but when it comes to real life, he hasn’t got a clue. “Do you think I’m self absorbed?” he asks his high-school-aged daughter, played by the insanely brilliant Ellen Page. “I think self absorption is underrated,” she cleverly replies. If Juno McGuff had uttered this same dialogue, it would be perceived as sarcasm. As Vanessa Wetherhold, Page’s performance has all the well-timed comedic earmarks of a pastiche. Her character is both Vanessa, the overachieving young Republican and straight-A student, and, at the same time, the unknowing parody of herself. In fact, she or any of these characters could easily translate into reality–the commitment-phobic, work-focused doctor, the developmentally-stunted freeloading brother, the sexually-active liberal collegiate son. Let’s face it, we know them all. Hell, we are them all. Read the rest of this entry »

Apr 5

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The Ruins: A true horror that gets under your skin
Release date: 4 April 2008

By Joe DeRosa 

Have you ever found a bug crawling up your arm and then for the rest of the day you feel like there are bugs all over you? Now imagine the bug is a vine crawling up your arm. And imagine that you’ve just watched this vine devour your best friend. You’d probably be pretty creeped out. And there you have the premise for The Ruins–an extremely well-acted adaptation of the Scott Smith novel that Stephen King called, “The best horror novel of the decade.” The Ruins, rated R, tells the story of four friends on vacation in Mexico who meet up with Mathias, a fellow tourist from Germany. It seems Mathias’s brother, Heinrich, disappeared a few days ago with a young woman, and Mathias convinces his new friends to embark on a journey to find him. The adventure leads them to an ancient Mayan temple, way off the beaten path, that, for reasons unbeknownst to them, the locals wish the young travelers to steer clear from. Unfortunately, it’s already too late. Now that the group has entered the temple, the Mayans will not let them leave, even taking violent precautions to block any chance of escape. And so, life on the temple begins. The group soon discovers that they are not alone, but the only other inhabitant of the temple is a suspiciously animated vine. Things go from bad to worse when they find themselves trapped for days with little food or water, and as injuries occur, the vine reveals a taste for human blood. Read the rest of this entry »

Mar 28

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Stop-Loss: Boys don’t go AWOL
Release date: 28 March 2008
By Jerilyn Covert

Hope and hopelessness go together like peace and war. One is rendered meaningless without the other. And in Stop-Loss, hope hangs like an intangible smoke and threatens to disappear at any moment. However, Sgt. Brandon King, played by Ryan Phillipe, certainly has enough emotional kindling to keep any fire burning, especially after his happy homecoming is tarnished by orders to return to Iraq against his will even though he’s fulfilled his contract with the army. When an angry speech to his lieutenant colonel proves ineffective, Brandon decides to drive to Washington D.C. with his childhood friend Michelle (Abbie Cornish) under the naïve assumption that a friendly Texas senator will help him. But as reality sets in, Brandon realizes his only real options: return to Iraq or move to Canada.

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Mar 21

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Shutter: The Ring is still king
Release date: 21 March 2008
By Joe Derosa

In the 1970’s, American moviegoers were introduced to a new kind of horror known as the slasher film. Based on the popularity of movies like Halloween and Friday the 13th, more and more slasher films hit the theaters, each trying to capitalize on the elements that seemed to have made those films popular in the first place¾ a specific date or holiday such as April Fool’s Day, or a masked killer as in The Prowler. Unfortunately, even today, 30 years later, we are watching watered-down versions that just aren’t as good as the classics they feebly try to imitate. Though the slasher film doesn’t really have an audience in Asia, that doesn’t leave them without a horror genre of their own: the ghost story. When films like Ringu (The Ring) and Ju-on (The Grudge) first came out, they were fresh, interesting¾ and scary! But much like the American slasher film, we have seen, with the passing of each year, yet another movie released that tries to capture the same lightning in a bottle as the originals they sought to emulate.

Shutter is the latest in this ever growing line of Asian horror remakes. In this supernatural thriller directed by Masayuki Ochiai, the ghost haunts the protagonists, not through a videotape, but rather, the lens of a camera. This particular brand of haunting is dubbed spirit photography, an event in which images of the dead are caught on film. Of course, the notion that ghosts can be caught on film is not nearly as eerie as its implications; because if that blurriness of light behind the people posing in the photo truly is a visitor from the beyond, then not only are we the living able to see spirits, but even scarier, they can see¾ can watch¾ us, and without any physical boundaries to deter them. Scarier still, this particular ghost is out for vengeance.

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Mar 14

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Doomsday: The end is nigh–at least for NM’s winning streak
Release date: 14 March 2008
By Joe DeRosa

Doomsday is a fun movie. And by fun I mean, lots of action, lots of blood, a couple of beheadings and a female lead whom I truly believe would kick my ass. The problem with Doomsday is that it’s written and directed by Neil Marshall. Now that might sound like a dig, but it’s not. With Marshall’s first two feature films, I was captivated. Whether it be his modernization of the werewolf-film genre in Dog Soldiers (2002) or the strong characterization in The Descent (2005), I really got into it. Doomsday, for me, would have been more enjoyable–just as it was–had it been done by someone else. I guess what I mean is, Marshall has set the bar high, and Doomsday just didn’t reach it.

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Feb 29

 

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Penelope: A lot of heart, not enough edge

Release date: 29 Feb 2008

By Jerilyn Covert


Once upon a time is a loaded phrase. Pregnant with the expectations that have become embedded in our consciousness with all the force of a thousand bedtime stories–that there will be a love story, a lesson learned and a happy ending. But within the first few minutes of Penelope, we the viewers are forced to renegotiate these terms. The birth of a bastard, a physical anomaly and the feigned death of a child occur all within the opening sequence. Then we meet our stars–the exquisitely tragic Christina Ricci, the endearingly kooky Catherine O’Hara, the charmingly rogue James McAvoy. Then there’s the look of the movie. The particular camera angles and stylized dress make it clear early on why the director, Mark Palansky, has drawn comparisons to Tim Burton. 

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